I’ve been reading Aimsel Ponti’s coverage of music for local pubs for years—certainly well over a decade or more. Whether writing about national acts, or local musicians looking to break out of Portland’s crowded music channel, she writes with passion, as well as an understanding that’s all-too-rare in music critics.

When I was cranking out books about baseball, Moxie, and local themes with my book of essays, I knew it was important to let others know about these releases. As I often told my writing students, “never under-estimate the importance of writing a compelling press release.” Many writers (and yes, musicians) miss that lesson.

Can you imagine my surprise while working last week to see a text that said,” Jim, this is Aimsel Ponti…check your email.” I’m glad I did.

She’d sent me some questions and was on deadline for her latest Face the Music column. Could I answer and get them back, along with a photo? You don’t have to ask twice on that one, Aimsel!

Photo of JimBaumerMe, making music in The Bunker (Mary Baumer photo)

This morning, I am featured along with three other artists in her music column, as musicians who’ve made the most of the last year of lockdown. I’m honored to share space with fellow Maine artists, Alice Limoges, Stephanie Atkins, and Oshima Brothers.

I liked that she described my music as having elements of “fuzzy guitar, some grungy, lo-fi sensibility and leaving it all-on-the-field lyrics.” That would be JimBaumerMe and the EP she featured, “All You Stupid Sheep.”

If you have difficulty accessing the link, here is a PDF of the article:

pressherald.com-Face the Music Fresh crop of music from four Maine artists-1