Great American Novels

I finally read The Great Gatsby. It was shorter than I expected it to be and I read it in less than a day.

A former friend (I have lots of these) who reads very little, was fond of referencing F. Scott Fitzgerald’s “Great American Novel,” like a talisman of sorts. It made her appear urbane and well-read—neither of these were actual qualities that she possesses.

I have been tutoring at a school where most of the students don’t care at all about academics. I wage futile battles with my charges to get them to put their phones down and do schoolwork, nightly.

I’ll refrain from being overly critical: the school is close and the pay is great for part-time work. It’s at night, too, so I have my days free to write and be creative. Oh, and there is the additional perk of having an old-fashioned library full of books like The Great Gatsby. None of the students ever take them down off the shelves and look them over, either. They’re too busy Snapchatting or playing with their phones.

Last Friday night, Turner Classic Movies ran the 1974 Robert Redford version of the movie adapted from Fitzgerald’s classic. Here’s some “inside Hollywood” for you about the film: the script for this 1974 big screen adaptation was actually re-written by Francis Ford Coppola, after the original script by Truman Capote was rejected by director Jack Clayton.

Coppola remembers that he spent weeks locking in a Paris hotel room, an ocean away from the hype attending his own breakout Hollywood tour-de-force, The Godfather. He told an interviewer that the “key to cracking the script” for him was simply reading Fitzgerald.

The movie turned out to be enjoyable. I vowed I’d finally get the book and read it.

Monday night, I found six copies of The Great Gatsby waiting for me at the end of the night. I planned to take it home and return it. I didn’t expect to read into the wee hours and then finish it the following day.

The novel still seems very relevant in terms of class and privilege. Despite technology taking over our lives, most humans are still basically the same shitty creatures they’ve been from time immemorial.

I’ll save the synopsis. They abound across the interwebs.

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Laughing and Raging

I don’t pretend to know what a writer like Jonathan Franzen’s (or Stephen King’s for that matter) life is like. However, there are glimpses into a writer’s mind offered by others.

In the case of Franzen that look-see comes courtesy of Phlip Weinstein in Jonathan Franzen: The Comedy of Rage, a new book that proposes to be a “critical biography,” joining elements of a biography with those of literary criticism. Franzen may be a writer of fiction mainly, but his fiction emanates from his life. Weinstein unpacks elements of that life—his family and Midwestern upbringing being just two examples—and offers up themes and the motivation for Franzen’s critically acclaimed novels and nonfiction work.

Weinstein developed a friendship with Franzen when the latter returned to his alma mater, Swarthmore College, to teach creative writing seminars. These seminars took place just prior to publishing what would be Franzen’s second novel, Strong Motion.

This period in the 1990s was just prior to Franzen’s move to become arguably America’s best-known literary figure (as opposed to merely, America’s best-known, best-selling writer) at the end of the 20th century and entering the 21st. It was also before Franzen dropped what would become his coming out work, The Corrections, released in 2001.

There’s been a lot written of and about Franzen, from his well-publicized dust-up with Oprah (whom he was critical of), and the invite to come on her show; he ended up being dis-invited as a guest, This was right after The Corrections came out. I mean, who the hell disses Oprah, right? Weinstein details this and some of Franzen’s contrition that came later. I think this and a great deal of other things that he’s written—like his essays for The New Yorker, as well as his stellar nonfiction—has elevated Franzen as a prominent and important cultural player.

Making the cover of Time Magazine.

Making the cover of Time Magazine.

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Egan Franzen Freedom Squad

February has been a good month for reading books. My goal is set for reading a minimum of 30 books every year–I’ve read nine during the year’s snowiest month, after completing Jennifer Egan’s A Visit from the Goon Squad. I blazed through it in all of four days. Can I keep up that pace? Only time will tell.

Jennifer Egan's "A Visit from the Goon Squad"

Jennifer Egan’s “A Visit from the Goon Squad”

Egan’s book has been on my list of must-read titles for awhile. The book generated a buzz when it first came out. Also, I read her novel, Look at Me, after seeing her in person at the 2011 Boston Book Festival, and it was a terrific read. Of course with me, fiction is often shunted aside,while other nonfiction titles cut the line.

After finally reading it, I can see why critics loved it, yet I was somewhat disappointed; I found Goon Squad to be less entertaining and affecting than my first Egan experience. That is to say that critics, who love to levitate above the hoi polloi, lap up writing and novelists that pander and play to trends, especially if there’s a nod to technology, and an offer of a few new literary tricks. I’m not saying that Egan’s intent was to pander, as some of the interviews I’ve read related to the book indicate that her tack for Goon Squad was likely aligned with her desire to write a “more ambitious” novel, which often means changing things up a bit. Continue reading

Owning a Home

Foreclosures in America are at a crisis level.

Foreclosures in America are at a crisis level.

We can debate whether or not owning property is an American birthright. Home ownership, however, is part and parcel of a dream that we’ve all been sold on since before we could walk.  What does 10 million foreclosures say about that dream?

Most anyone reading that number is likely to have a couple of reactions, I’m guessing. One, where did the 10,000,000 number come from? I’ll get to that in a moment. By the way, 10,000,000 is a number that represents the number of people making up the population of the state of Michigan, America’s 10th most populated state. Continue reading

Freedom

Freedom may be the most indeterminate word in the postmodern American vernacular. Freedom, freedom, freedom—everyone talking about freedom. It’s almost a fetish for some. What is freedom? Is it merely the absence of the unpleasant, and if we had the freedom we’re always pining for, would our lives suddenly take on a new luster and enhanced quality? Continue reading

The Truth is Stranger than Fiction

David Foster Wallace's final book, "The Pale King."

David Foster Wallace’s final book, “The Pale King.”

My last “big books” post was at the end of March when I covered Richard Russo’s memoir. I intended to do one of these each month, as my reading, even at this year’s slightly less robust pace, has yielded intriguing reads in April and May.

Actually, what I intended for April was a review of David Foster Wallace’s, The Pale King, which I finished reading near the end of the month. This was Wallace’s final book, published posthumously, from the remains of a manuscript he left behind. Continue reading