For a lapsed Catholic like me, Good Friday will always be imbued with the following memory:

I think I was eight or nine-years-old and attending a Good Friday mass at the old Holy Family Church on Lisbon Street (across from the former location of Morse Brothers). Like most Good Friday marathons, this one involved way too much standing for a young boy.

A re-enactment of Jesus’ crucifixion.

At some point on that April Friday afternoon in what was likely 1970 or 1971, the room began to wobble and my legs felt like they wanted to give way. I didn’t know it at the time, I was close to passing out. Fortunately for me, I sat down in my pew. My mother looked over and under her breath, sternly barked, “stand-up Jimmy!!” No concern for my well-being, only that I maintain our holy facade. I looked at her with what were probably pleading eyes, and struggled back to my feet. Somehow, I managed to make it to the end of whatever torturous section of the “festivities” were in-progress.

If you’ve followed my post-Xian posts, you’ll know this experience wasn’t enough to disavow me of religion’s influence on my life. It would take Indiana and Jack Hyles to come close to finishing the job, and then, the Vineyard and Ralph Grover to finally nail that coffin shut on God and evangelicalism’s false promises (and premise).

They say that when you leave behind something as formative as religion, you should put something in place and begin new traditions. A substitute, of sorts.

Hearing “Good Friday” by Cleveland’s Death of Samantha played on this morning’s “Breakfast of Champions” slot on WMBR made me realize that rock and roll has become a more-than-sufficient stand-in for God in my life.

Here are two selections that fit perfectly from where I sit today on this non-religious holy day for me.