I don’t pretend to know what a writer like Jonathan Franzen’s (or Stephen King’s for that matter) life is like. However, there are glimpses into a writer’s mind offered by others.
In the case of Franzen that look-see comes courtesy of Phlip Weinstein in Jonathan Franzen: The Comedy of Rage, a new book that proposes to be a “critical biography,” joining elements of a biography with those of literary criticism. Franzen may be a writer of fiction mainly, but his fiction emanates from his life. Weinstein unpacks elements of that life—his family and Midwestern upbringing being just two examples—and offers up themes and the motivation for Franzen’s critically acclaimed novels and nonfiction work.
Weinstein developed a friendship with Franzen when the latter returned to his alma mater, Swarthmore College, to teach creative writing seminars. These seminars took place just prior to publishing what would be Franzen’s second novel, Strong Motion.
This period in the 1990s was just prior to Franzen’s move to become arguably America’s best-known literary figure (as opposed to merely, America’s best-known, best-selling writer) at the end of the 20th century and entering the 21st. It was also before Franzen dropped what would become his coming out work, The Corrections, released in 2001.
There’s been a lot written of and about Franzen, from his well-publicized dust-up with Oprah (whom he was critical of), and the invite to come on her show; he ended up being dis-invited as a guest, This was right after The Corrections came out. I mean, who the hell disses Oprah, right? Weinstein details this and some of Franzen’s contrition that came later. I think this and a great deal of other things that he’s written—like his essays for The New Yorker, as well as his stellar nonfiction—has elevated Franzen as a prominent and important cultural player.
Making the cover of Time Magazine.
