My Musical Path

Last night I played a gig in Rochester, New Hampshire. It was a Wednesday night show at Mitchell Hill BBQ. On the way over from Biddeford, about 35 miles with a border crossing in Somersworth, I got turned around. I should have just shot down Route 111, but instead, took Route 9 instead. My mistake.

Showed up a bit harried. Had to drag my gear down the sidewalk nearly a ¼ mile because there was no parking due to outdoor dining barriers set-up along North Main Street.

I played the gig. Nothing from the audience. That’s fine. I gave them what I had for two hours including my epic mash-up of “Icarus” and “Michael Row Your Boat Ashore” and the first live performance of “Finding a New Path.” Made $17 in tips. It was a Wednesday night. Someone had to take this filler slot and I gave it the old college try. I’m appreciative for the booking, so “thanks Bob.” Continue reading

Something Other Than Writing/Anyone Can Play Guitar

Spring speaks to certain sense of rebirth—at least in places like Maine where inhabitants are forced to endure the bleakness that inevitably comes during winter. When life gets reduced to finding a way forward post-tragedy, then any extension of hope can serve as a stand-in for a talisman.

Writing as a central element dates back to 2002 for me. That’s when, in a job that I hated, I latched onto cultivating my craft as a writer. I wanted to become a writer and I was willing to put the work in.

After Mark was killed, writing was all I had to sort through the randomness and pain that a tragic death like his delivers to the father left behind. I initiated the process of using narrative as a tool to find a few shards of meaning from the randomness of what I’d been dealt.

For two years I’ve written and rearranged words in an effort to craft a story centered in grief and loss. I recognize that none of it provided much solace for the emotional agony I’ve been feeling. In fact, like has happened countless times over the past 17 years of writing, editorial arbiters either ignored my writing, or sent back notes that served as the publishing world’s version of the “thanks but no thanks” notice of rejection. Continue reading