Alt Tunings-RPM Sketch #3

As I’ve been writing new songs and exploring new ideas for the RPM Challenge in February, I have felt gratitude on numerous occasions for the opportunity presented by this annual creative endeavor. One of the benefits to me has been looking at alternative tunings and actually pursuing some elements of these on the new batch of songs.

Since my last post, I’ve posted three new songs, including yesterday’s new track, an instrumental, “The Fool.”

 

This song is played in Dropped G tuning and this lends a different element to the sound. At times, I hear echoes of people like William Tyler in the voicings, maybe even a longtime favorite of mine, Yo La Tengo, just a bit. For my musical tastes and where I’m trying to take my guitar-playing, that’s a good thing. Keith Richards of the Stones used Dropped G quite often. There are a few spots where I even hear myself channeling Keith. Very cool.

The track, “Living in the Worst of Times” was played using a tuning utilized often by Swervedriver during their 80s shoegaze period. It lends a bottom-heavy aspect to the song, which I really was looking to create, since as a one-man band, sans a bass player, creating a bottom in my music isn’t always possible in standard tuning, or without multi-tracking the guitar, which I didn’t have to do in this one.

 

If RPM ended today, I’d have the five songs I’d committed to making back at the start of the challenge. But I still have two songs partially mixed—a “country” number and one rooted in 80s punk. I might even write another acoustic ditty before midnight on February 28.

As for the title for the instrumental, I was looking through an old deck of Tarot cards yesterday and saw the card for the Fool. Since he represents new beginnings and even—having faith in the future—it seemed appropriate for me, being here in a new place and tackling some new musical ideas. The Fool also represents improvisation.

Another week of work to do. It looks like I also have another track time to qualify as an LP vs. my project being an EP.

The Art of Songwriting: Tom Brady (GOAT)

I’m someone with considerable experience listening to sports talk radio over the course of the past 35 years. The week leading up to the Super Bowl has always been something I’ve kept on my personal radar. This year, the strangest year ever, things about sports (even the Super Bowl) seem to have been pushed to the fringes, shoved there by all-things-COVID.

Perhaps it has something to do with not really running with a tribe anymore. Or, not working in a physical space with other humans. Every workplace I’ve ever been part of would have had someone running a Super Bowl pool, soliciting predictions with a pot of cash going to the winner. Maybe New Englanders were depressed because their favorite son had found success somewhere else, out from the constraints of the Krafts and the Hoodie Man.

But this year, nothing: nada! Working from home, the daily Skype was filled with the usual inane banter about dogs and things people didn’t know about how to do their jobs. Nothing about Tom Brady, or thoughts about how New England’s favorite son might fare in the land of the sun. No openings to insert, “I just wrote a song about Tom Brady–check it out.” Actually, no one at work gives two shits about anything related to my life–I learned that all-too-well the week of the fourth anniversary of Mark’s death. Not one note or inquiry like, “how are you doing” from a team leader or manager. Oh well. Continue reading