Predictions for a New Year

Last year at Christmas, I could barely play 5 songs. By “play,” I mean sitting with my guitar and being able to make it through a song, knowing the words and chords without relying on sheet music. I had a couple of songs I was close to “nailing,” but the others I cloyed my way through.

A year later, I can now play an hour’s worth of music (or more) and my setlist is now in the double digits. I’ll still miss a chord change now-and-then, but I’m confident in my ability to play music. This from someone who believed the messaging that he’d never be good enough to perform with a guitar.

What’s the difference a year later?

A good portion of my growth can be attributed to practice. Most of the previous 365 days of 2020 (in the midst of a global pandemic), I spent hours alone in my basement: just me, three guitars (two electrics, one acoustic), a combo amp, a laptop, and a small Bose speaker. I acquired a two-channel PA midway through 2020 and a couple of microphones. These tools allowed me to approximate the live performance space, or a reasonable facsimile.

I have no crystal ball and hence, no sense of the next time I’ll be in front of an audience of flesh and blood humans. Once our “esteemed” leader, Governor “Crackhead,” shut everything down this fall, she deprived me of my weekly opportunity to get out and hit open mics. This was an essential part of my growth as a performer. No matter how much you practice, standing on a stage in front of a bunch of total strangers is an entirely different animal than sitting alone in the basement. Songs you’ve nailed time and time again become clunky messes played live in front of an audience. But, falling on my face made me better. Continue reading

Down at the Community Center

Not sure about anyone else, but I need regular detours and diversion from the ugliness of the world. Or perhaps it’s not diversion: maybe I’m just focusing on things that bring just a bit of joy, and less angst directed towards things that really don’t matter (politics, Twitter trolls, religion, who’s fucking whom, etc).

Music’s probably not everyone’s cup o’ tea, or probably not my rock and roll fixation that’s not gotten assigned to old geezers on nostalgia trips. Whatever.

I know a few readers are fans of Connor Oberst/Bright Eyes. He’s launched a new act with Phoebe Bridgers called, Better Oblivion Community Center, which if you’re not careful, you’ll confuse for a small town nonprofit. They even have an .org-based URL.

I’ve been digging Bridgers’ music for awhile, including her recent indie “supergroup,” Boygenius, with Lucy Dacus and Julien Baker. Bummed I missed Dacus in Portland because the show was sold out and I tarried scoring my tix. Oh well. There will be other shows.

Anyways. Hope you enjoy this video as much as I did.

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